Excited to bring you a delightfully midwestern lineup of soul-swinging Americana, featuring rising Louisville-Alt-country band Quiet Hollers and a solo performance by Joshua Powell (of Joshua Powell & the Great Train Robbery)
$5(adv) ~ $7
August 25th ›‹ 10:30pm
Quiet Hollers formed in Louisville around the songwriting of singer/guitarist Shadwick Wilde, who originally formed the group with the idea of playing only one show—the CD release of his solo effort, Unforgivable Things, in 2010. The group’s debut, I Am the Morning, followed in 2013. The alt-country styled album was a limited success, spawning a cult following in the US and some international critical praise, allowing the band to continue touring on the DIY circuit, where changes in personnel and taste saw the band exploring territory beyond the genre.
Quiet Hollers signed with the indie label SonaBLAST! for their third album, Amen Breaks. The album draws parallels between the modern entertainment landscape and the cultural crossover of the 1970s– another decade marred by division, political corruption, and terrorist bombs. Their shape-shifting palate makes use of orchestral strings and brass, vintage drum-machines and samples (including the Amen Break, the most sampled piece of music in history). Amen Breaks explores themes of spirituality, sexuality, and mental illness.
JOSHUA POWELL (of Joshua Powell & the Great Train Robbery)
Over the years, Powell has carved out a niche in his new home by setting his hyper-literate lyrics to broad swaths of psych-folk and shedding the vocal affectations of a varied past.
As Powell and his transiently shifting backing band have extrapolated this sound, they have played over 400 shows, opened for such national acts as Mike Mains & the Branches, Seabird, and The Soil & the Sun, and played festivals like Indy Folk Fest (IN), Starry Night (IN,) Midpoint Music Fest (OH), and Lincoln Calling (NE). When Powell’s not sweet-talking the interstate, he can be found at the local dive bar reading Hesse or Brautigan and scribbling potential poems.